What is the average production lead time?
It depends on the product, decoration, quantity and delivery location. After artwork approval, standard production often takes two to four weeks. Every schedule is confirmed before ordering.
Clear answers on lead times, minimum quantities, samples, proofs, decoration, compliance, landed prices, quality control and delivery.

It depends on the product, decoration, quantity and delivery location. After artwork approval, standard production often takes two to four weeks. Every schedule is confirmed before ordering.
Yes, but it varies by product and technique. Some on-demand options start at one unit; industrial production usually becomes relevant from tens or hundreds of pieces.
Yes. Depending on the project, approval may use digital artwork, a proof, a blank sample or a decorated prototype. The control level is set according to risk, budget and deadline.
The choice depends on the material, artwork, number of colours, expected durability and volume. Embroidery, screen print, transfer, engraving and digital print are compared by finish and total cost.
Yes. Centralised, multi-site or individual shipping can be arranged according to countries, volumes and customs constraints. Logistics are included in the estimate.
A vector AI, EPS, SVG or PDF file is generally best. If only PNG or JPG is available, send the largest clean version plus any brand guidelines and colour references.
Yes. A context, audience, date and budget are often enough to begin. We turn the intention into practical selection criteria and a short, explained shortlist.
Start with real use, choose a realistic quantity and select quality recipients will want to keep. Context, season, size, care and existing alternatives all matter.
No. The catalogue is inspiration and represents solution families. Stock, colours, sizes, minimums, prices and lead times are checked for each brief.
We first clarify priorities such as lifespan, material, origin, certification, packaging, quantity, transport and end of life, then document evidence and limitations.
We reuse the approved product, colours, sizes, artwork and proof, while checking stock, price and lead time again. Recurring programmes can include alert thresholds and a replacement plan.
Yes. Products, documents and client-supplied items can be combined in one kit. Packaging, protection, presentation order, weight, returns and shipping data are planned together.
The proof identifies the product, base colour, technique, position, decoration size and intended colours. It validates layout, while a physical prototype may still be needed for texture or critical colour.
We check the product-specific size guide and recommend fitting or a sample where possible. The split is based on actual needs, with a measured buffer for high-demand sizes.
The landed price combines product, setup, decoration, fixed fees, quality control, packaging, transport and, where relevant, taxes or formalities. The quotation states assumptions and exclusions.
Control may include an approved sample, in-production checks, batch photographs or pre-shipment inspection. Product, quantity, colour, decoration, function and packing criteria are defined in advance.
Pantone is a useful target, but results depend on technique, material, base colour, ink or thread. We state realistic tolerances and recommend a decorated sample for colour-critical projects.
We check expected restock time, other colours and stock in other regions. If needed, alternatives are compared by use, material, size, colour, decoration, budget and origin, with approval before substitution.
Quantity should reflect registrations, expected attendance, staff needs and an explicit buffer. Undated, reusable designs and collected apparel sizes reduce surplus, while remaining units receive a planned future use.
Yes, depending on product and destination. Batteries, chargers, radio devices, toys, food-contact items and protective equipment may require different declarations, tests, instructions or markings.
Put both offers on the same basis: exact item, material, quantity, decoration, setup, sample, packaging, shipping and destination. Add fixed charges before calculating a delivered cost per item or recipient. Check what is excluded, such as quality checks, returns and reorders, and ask for any missing assumption.
Share the objective, recipients, estimated quantity, deadline, destinations and a delivered budget. Include available artwork, brand rules, material preferences and any use or compliance constraints. Mark what is decided and what remains open; ranges for volume and budget can still support useful comparisons.
The artwork proof records the chosen item and decoration instructions: size, placement, text and variants. A physical sample lets you inspect material, feel, fit, assembly and sometimes the actual decoration. Both checks can matter for sensitive finishes or colours. Keep the approved version and confirm later changes in writing.
Provide a checked address list, the intended contents and variant for each recipient, delivery dates and a contact for exceptions. Test a complete parcel for protection, weight, dimensions and labelling. Compare delivered cost per address including packing, transport, returns and reshipping. Share only the personal data needed for delivery.
Start from actual recipients, distribution method and an explicit replacement buffer. Compare quantity tiers alongside setup, storage, shipping and the risk of dated designs or unusable sizes. If demand is uncertain, consider a smaller first wave or a reorder, subject to availability and colour consistency. Decide what happens to surplus before production.
Share the context. We will return with a short, costed and workable selection.
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